Showing posts with label Riley Street. Show all posts
Showing posts with label Riley Street. Show all posts

Wednesday, August 17, 2011

Darlinghurst Blog: Art and Culture: Watters Gallery: Coloured In, by Chris O'Doherty aka Reg Mombassa

If you find yourself down in the Little Italy region of Darlinghurst this week, take five minutes out and pop into the Watters Gallery to check out the latest exhibition by artist Chris O'Doherty aka Reg Mombassa. The show, Coloured In, ran at fortyfivedownstairs gallery in Melbourne from June 28 to July 9 and is only showing in Sydney until Saturday. Unfortunately for us Sydney-siders, those Melbournites also had first dibs on the works so about 99 per cent of the show has already sold out. 


But could you afford them anyway? The most affordable original works I saw started at $800 for a charcoal on paper, while a tiny 4.5x10cm oil on paper miniature, Headland, Maria Island (2010), sold for $1000. That's not to say that Mombassa/Doherty is unworthy of such prices. I love his work and hope to one day own one. The downstairs part of the gallery features the Mambo-style, cheeky and surreal works for which he is widely known, such as this piece, Mr and Mrs Wolfman (2010, charcoal, coloured pencil on paper, $8600): 


There's also a hilarious work, Skeleton Having Sex With a Fence (2010, charcoal, coloured pencil and glitter on paper, $8000), which made me laugh out loud.
But also make sure you visit the upstairs space for the slightly softer, more whimsical landscapes, which are mostly created using oil paints. They are rather more melancholy and serious in mood than the downstairs works.  


If like me you are a big fan of Doherty/Mombassa's works - and have read THE book on this special Sydney artist - you can always take home the $3 program, which features 18 images including a little treasure called Gum, Road and Fenceline (2010, oil on paper, $1600). 
As its title suggests, it is a painting of a gum tree, next to a curved road lined with fence poles, backed by a big, cloudy sky and is one of those pictures that instantly brings to mind carefree memories of road trips in country NSW. I was also mesmerised by this mysterious night scene:


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Coloured In
Chris O'Doherty aka Reg Mombasa
Watters Gallery
Until August 20, 2011
109 Riley Street
East Sydney NSW 2010
02 9331 2556
Open: 
Tuesday, Saturday - 10am to 5pm
Wednesday, Thursday, Friday - 10am to 7pm

Wednesday, July 13, 2011

Darlinghurst Blog: Books: Razor, By Larry Writer

The mean streets of 1920s and 30s Darlinghurst are soon to have a national audience when a television series based on Larry Writer's 2001 book, Razor, airs on the Nine Network from July 30 mid-August.
I am looking forward to seeing this show, not just because it is set in Darlinghurst, but because I love period pieces and they don't seem to be made all that often as they are apparently quite expensive to produce. 
Screentime, the makers of the Underbelly series of programs, are producing Razor. Much of it has been filmed on sets but I also understand they have shot parts of it on location. 
Writer's non-fiction book on which it is based will also be re-released to coincide with the television series so I expect there is going to be - if not already - a renewed fascination with this rough period in Sydney's history. 
I first read Razor about five years ago and re-read it recently, this time copying down all the street addresses, so that I could walk through Darlinghurst and check out all the historic Razor-gang sites. 
The book is about the birth of organised crime in Australia and centres on sly-grogger Kate Leigh, who was born in Dubbo, in the NSW central west in 1881, and brothel madam Matilda ''Tilly'' Devine who was born in Camberwell, in south London in 1900.


Leigh (above), who will be played by New Zealand actress Danielle Cormack, began her life of crime at the age of eight stealing from her parents, the local shop and playing truant from school. At ten, she ran away from home and by her mid-teens was running riot on the streets of Glebe and Surry Hills. By her 20s she was prostituting herself to make money for herself and daughter, Eileen. 
In 1914, living with a bunch of crooks in the slums of Frog Hollow, near Albion Street in Surry Hills, she helped plan the Eveleigh Railway Workshops payroll robbery. The famous heist, worth more than 3000 Pounds went wrong however, and Leigh ended up being sentenced to seven years at Long Bay Gaol, in Sydney's south-east.
''Seven years for stickin' to a man,'' Leigh said.
''I'll swing before I stick to another.''
Upon her release in 1919, Leigh decided to make the most of amendments to the Liquor Act, which had been made three years earlier. 
In 1916, 5000 Lighthorsemen and other members of the Australian Infantry Forces, unhappy about their harsh conditions and long working hours, went on a drunken rampage at Liverpool, southwest of Sydney.
According to Writer, this ''unbridled, booze-fuelled violence'' gave the anti-liquor lobby more ammunition and following a referendum, under NSW Premier William Holman, 60 per cent of New South Welshman voted for pubs to change their closing hours from 11pm to 6pm. 
This legislation remained until 1955 and resulted in what became known as the six o'clock swill when drinkers would rush the bar and try to down as many drinks before 6pm as possible - which had its own bad consequences.
Anyway, with bars and pubs now closing at 6pm, Leigh saw a business opportunity and when she was released from jail, opened her first sly-grog shop. Soon after, she had enough money to buy a home for herself and Eileen at 104 Riley Street, Darlinghurst (East Sydney):


And she also rented six premises in Surry Hills (such as 25, 27 and 31 Kippax Street, now demolished) which she used as ''sly groggeries'', including this one at 212 Devonshire Street:


According to Writer: ''At the height of her career, Kate ran more than 20 sly-groggeries.
"Some of her sly-grog shops were upmarket and frequented by businessman; others, said police, 'catered to the worst class of thieves and prostitutes'. 
"On Friday and Saturday nights, crowds of men milled in the streets awaiting admittance to 'Mum's', as her establishments were known.
''From the early 1920s until the 40s, Kate Leigh, as Sydney's leading sly-grogger and with her income protected by her own combative nature and a team of bashers and gunmen, was one of the wealthiest, and most flamboyant, Sydney-siders.
"Another key to her success, she always said, was that unlike many of her less successful rival illicit alcohol sellers, she did not partake of her product.''


Like Leigh, Matilda Devine also decided that the ''straight and narrow life was a route for fools'' and as a teenager began prostituting herself on the streets of London. She was soon making 15-20 Pounds a week, when the average wage was about 2-3 Pounds.
At 17 she married Australian solider James Devine, and at the end of the war she followed him back to Australia, arriving in Sydney in 1920.
Devine, who will be played by another New Zealand actress Chelsie Preston-Crayford, moved from various digs in Paddington, Woolloomooloo and Darlinghurst, and wasted no time in getting on the streets and making money, with her husband acting as pimp.
''Between 1921 and 1925 she was arrested 79 times for her usual offences - whoring, obscene language, offensive behaviour and fighting,'' Writer writes.
''But by 1924-25, she was getting into more serious trouble . . . on a charge card dated 11 January 1925, Tilly is described as a 'married woman residing with her husband. She is a prostitute of the worst type and an associate of criminals and vagrants'.''
Devine served time at Long Bay Gaol for the beating of a commercial traveller and was also sentenced to a further two years for slashing a man with a razor.
Like Leigh, Writer writes, Devine used her time in jail to take stock of her life and when she was released, she set about building ''the biggest, best-organised, most lucrative, brothel network Sydney has ever seen.''
Her first brothel was in a ''slum cottage'' in Palmer Street,  Darlinghurst, where she ''fitted out its rooms with beds and faux-exotic decor and put a red light in the window''.

191 Palmer Street, which became Devine's Darlinghurst headquarters after she moved to Torrington Road, Maroubra, in Sydney's south.

Like Leigh, Devine also took advantage of the legislation, specifically the Police Offences (Amendment) Act of 1908, which made prostitution illegal for the first time, forcing street workers into brothels.
Devine provided the premises for the prostitutes and the women paid her a percentage of their earnings. She also charged freelancers 2 Pounds a shift to use her rooms.
Jim Devine sold cocaine to the prostitutes (users were known as snow-droppers) as it made ''economic sense to foster drug addiction in the workers: it ensured loyalty and meant prostitutes increasingly preferred payment in cocaine rather than cash.''


Cops such as Frank ''Bumper'' Farrell (above left) and William Mackay (above right) policed the streets of Darlinghurst in their unique way. Mackay cut a deal with Devine and Leigh that if they could run their businesses cleanly and without violence, and if they agreed to act as informants on others, they would not be targeted by the boys in blue. 
Farrell, who is the subject of Writer's most recent book, Bumper, published last year, was said to ''inspire a fear in crooks''. Devine would act like a good schoolgirl when he was around. Leigh was not so fond of Farrell and called him that ''Bloody Bumper''.
The cops had a lot to deal with in those days.
Sydney was no longer a small town but a ''sprawling metropolis with a decaying inner-city surrounded by middle class suburbia. In the two decades from 1910, Sydney's population doubled from 630,000 to 1.2 million.''
And the drug trade was ''out of hand''. In the 1920s there were about 5000 drug addicts in Kings Cross, Darlinghurst and Woolloomooloo.
People smoked marijuana and opium, injected heroin and morphine, drank paraldehyde and chorodyne, but cocaine was Sydney's drug of choice.
''Snow was snorted by the rich at parties, by businessman in swish 'snow parlours' where each table had a bowl of the drug in the centre, by vagrants in alleyways, by mobsters needing a belt of courage before pulling a job, and by prostitutes seeking fortification to get through a Darlinghurst night,'' Writer writes.


Not only did the cops have to deal with Devine and Leigh, drugs, sly groggeries and prostitution, Razor also has an ensemble cast of violent crooks, standover men and thugs, such as Frank ''the little gunman'' Green (above left), Phil Jeffs (above right) and Norman Bruhn:


Razor, the book, takes its name from the preferred use of weapon in those days. According to Writer: ''Sydney's criminals had always kept handguns and knives in their armoury, but after the Pistol Licensing Act of 1927 dealt an automatic prison term to anyone with an unlicensed firearm, may outlaws began carrying another weapon:  a cut-throat razor, honed sharp.''
Bruhn, a mate of Leslie ''Squizzy'' Taylor arrived in Sydney from Melbourne in 1926 and within months was the number one criminal in Darlinghurst and Kings Cross. Bruhn and his gang made the razor their trademark weapon. 
''A cut-throat, Bengal-style straight shaving blade could be bought for a few pence at a grocer's or chemist's,'' Writer writes of the proliferation of the weapon.
''Although they could do horrendous damage, a blade, unlike a gun, was not necessarily used for killing. 
"Many victims of razor attacks did die, but the razor was more often used as an instrument of intimidation and disfiguration.''
Bruhn, who lived with his wife, Irene, in a ''seamy little flat'' at 21 Francis Street (below) died after being shot twice in the stomach in June 1927.



Frank Green was the ''most lethal gunman in Sydney'' and employed by Devine to protect her brothels. Green lived at 21 Harmer Street, Woolloomooloo (below), with his wife and children, but also carried on affairs with countless prostitutes, including Nellie Cameron. He was known as a drunkard, a psychopath and cocaine addict and ''wouldn't hesitate to bash up a prostitute if she didn't hand him a cut of her immoral earnings.''
Green died in 1956 when he was stabbed in the heart by his then girlfriend, Beatrice Haggett, at their flat on Cooper Street, Surry Hills.


Phil 'The Jew' Jeffs was born in Latvia in 1896 and jumped ship in Sydney in 1912. He operated a fruit barrow in Darlinghurst before following his dream to be a ''rich crime boss, decked in fine clothes and loved by beautiful women.'' He set out by mugging drunks, selling drugs and working as a cockatoo at sly grog-shops. In 1929, his dodgy drug deals ignited the Battle of Blood Alley in Eaton Avenue, Kings Cross (now an enclosed courtyard off Bayswater Road). 
Jeffs had been cutting his cocaine with boracic acid and when one gang realised they were being ripped off, they challenged him to a fight. Everyone was injured, and Jeffs almost fatally, but he went on to fight another day, even after being shot in his own home in 1929.


In the 1920s, Jeffs worked as a bouncer at the Fifty-Fifty Club, ''a seedy dance hall and sly grog and cocaine palace'' in the Chard Building (above, built in 1924) on the corner of William and Forbes streets.
In 1932 Jeffs purchased the club at a discount price as the owner was tired of police raids. 
According to Writer: ''A visitor to the Fifty-Fifty Club in its riotous mid-30s heyday would enter the creaking cage elevator at ground level, and ride up past nondescript offices on floors one to three before alighting at the fourth floor . . . the doorman would open the door, and frisk guests for firearms and ensure that they had money.
''If approved, the visitor entered a cavernous room with carpet on the floor, slightly tatty lounge suites, decorative palms and flower-filled vases, and deep chairs festooned with colourful cushions . . . guests sat drinking heavily or snorting cocaine from small bowls.''
I walk by this building, now home to Royalty Prussia, countless times, but Writer really brings the history alive. Razor, the book, is worth buying just for this chapter, which includes incredible detail about what Devine, Leigh and their fellow crooks would get up to when they were On The Town.


Other characters in Razor seem more glamorous, such as that of Pretty Dulcie Markham (above left) and Nellie Cameron (above right). Yet both worked as prostitutes and were rough as guts. Markham apparently ''confounded anyone who equated beauty with purity'' while Cameron was ''the most sought after gangster's girl''.


Cameron had a flat at 253 Liverpool Street (above) where she would entertain her clients, one of whom was shot in the buttocks in November 1944. In the 1950s she lived in a flat on Denham Street (below) where she stuck her head in a gas oven and died at the age of 41.


In the end it was not the police who got Leigh and Devine, but the taxman. Leigh had once lived in a grand terrace on Lansdowne Street in Surry Hills (below), but by the 1950s she was bankrupt and forced to live in a ''squalid'' room at 212 Devonshire Street, from where she had once operated a sly-groggery. When the government ended the six o'clock swill in 1955, Leigh was out of business. She died on February 4, 1964 at St Vincent's Hospital, after suffering a stroke. 


For Devine, who had once owned properties throughout the inner-city and eastern suburbs, including a terrace at 145 Brougham Street, Woolloomooloo (below), the end was equally unglamorous. Devine quit crime in 1968 and struggled to make ends meet on the old age pension. She died at Concord Repatriation Hospital, in Sydney's west, on November 24, 1970.


Writer's extremely well-researched book really brings this period of Sydney's history alive. 
Since it was published in 2001, it has inspired a GPS-guided tour, a stage show, and now a television series. Judging by this website, there could also be a film in the works.
Devine has also been remembered, with a small bar in Crown Lane named after her.

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UPDATE: Interview with Razor author Larry Writer

Friday, May 6, 2011

Darlinghurst Blog: Fashion: Josh Goot at Australian Fashion Week

By a mysterious - and usually absent - case of luck, I was invited to attend the Josh Goot show at this week's Australian Fashion Week. And in another serendipitous piece of fortune, the show was being held in Darlinghurst. Third time lucky: the event last night was taking place inside the vacated, art deco City Ford building, of which I have always been most curious about.


The grand, six storey building was custom-built for City Ford in the 1930s on a large block of land, with an entrance on Crown Street and backing all the way to Riley Street, along the Suttor Street lane. The building is presently for sale or lease but already 60 per cent has been pre-sold or pre-leased to Woolworths and the East Sydney Private Hospital.


The show was due to start at 8.30pm, but I knew it would start about one hour late and I wasn't wrong. When I arrived at 9pm, there was a throng of people waiting for general admission tickets to the show. 


Luckily I had an invitation, so I was ushered passed the crowd and into a waiting elevator to take me to level six.


When I arrived there were about 500 people gathered in an enormous and amazing space with high, vaulted ceilings.


I took my seat in the front row and admired the lighting, which made it appear as if we were in a dark and deserted warehouse in the middle of the day.


It was a really great seat, right next to the runway.


At about 9.30pm, when everyone was seated, the lights went out, the music started up, overhead fluorescent lights lit up in rows and the show began.








At the end of the show, the models did another lap of the large rectangular runway and if you look closely in the photograph below you can see former tourism ambassador Lara Bingle seated in the front row.


After the show I went backstage.




Designer Josh Goot hung about the runway to talk to the media about his Spring-Summer 2012 collection, which featured prints inspired by the work of artist Gerhard Richter.


By that time I was ready to go, but not before having a snoop around the curvaceous interior of the building. 


A car ramp winds around the inside of the building alongside these photogenic stairwells.


There's also loads of strange rooms with wooden furniture:


But the highlight of my snoop was discovering what was inside this glass booth:


Inside was perhaps Australia's only in situ control board of the PABX Sylvester 16-line switchboard system:


Wow! According to a little plaque I found nearby:

''It was installed in late 1937 and came into operation in January 1938 and at the time of installation was the most modern telephone communication system available. The PABX system was installed on the third level of this building where the recycle operation took place in a sealed room.
''The switchboard had the capacity to hold 200 extensions, which in 1938 was considered to be of enormous proportions. The only upgrading that took place during its period of operation from 1938 until 1985 was to have three tie-lines installed to Camperdown, Mascot and Ford Credit.
''It is believed to be the only switchboard of its type available to be seen in its original position and state in Australia.''


And then in another glass booth nearby I found another interesting device, known as the Lamson Pneumatic Station System, which was used for sending written messages from floor to floor:


There was also another little plaque that read:

''This is the main or central station on a Lamson, 20 station, turbine vaccum system that serviced the entire building from 1938 until 1966. It was purchased from Lamson Engineering in London in 1937 and commenced operation on the 24th of January, 1938, for which the original certificate of operation is displayed. The operation was by a turbine, which created a vacuum and the tubes were drawn by atmospheric pressure caused by the vacuum and was sent from one station to the central station and there relayed to the destination by the central station operator. This system proved over the years of operation to be highly efficient and trouble free.''


I love how the owner of the building has retained its history and I hope that whoever buys or leases the space keeps the PABX Sylvester 16-line switchboard and the Lamson Pneumatic Station System in place. But if you are more interested in frocks, visit Goot's website. The new collection will be in shops in August.

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