Showing posts with label Oxford Street. Show all posts
Showing posts with label Oxford Street. Show all posts

Thursday, April 11, 2013

Darlinghurst Blog: Detritus: RIP Rainbow Crossing

There was disappointing news this morning that the rainbow crossing at Taylor Square was ripped out last night by the NSW Government. 
The bright, vivid colours - and what they represented - were such a welcome addition to Oxford Street and really brought the road to life, making it a destination for residents and tourists.
The crossing was put in place by the City of Sydney to mark the 35th anniversary of Mardi Gras in March.
But the state government refused to let it remain due to safety concerns and removed it at 10pm last night.
It's so sad that it's now gone and is just a memory.
You can read news stories about its removal here, here and here.
RIP rainbow crossing.

Wednesday, February 13, 2013

Darlinghurst Blog: Art and Culture: Sydney Mardi Gras Museum

The festive season has only just ended but the party season has already begun in Darlinghurst, following the launch last Friday of the Sydney Mardi Gras Festival when the rainbow flag was raised above Sydney Town Hall. 
This year the festival is marking its 35th anniversary with the 'Generations of Love' theme, a packed program of events and a temporary Sydney Mardi Gras Museum on Oxford Street, which has been a long-time coming.


The museum has some great window displays styled like a drag queen's dressing room, with shiny costumes, feather boas and mirrors. 
And I finally had a moment to pop in last night and take a look.
Inside, the museum is laid out chronologically and includes some fantastic archival photographs, memorabilia including posters and artwork, and a rainbow-coloured Ron Muncaster costume in the centre of the room.


I'm a big fan of Mr Muncaster for his daring and creative costumes, which in the early years of Mardi Gras helped set its festive and flamboyant tone. 
Mr Muncaster lives just down the road on Crown Street and I have had the honour of being invited to peruse his massive archives of costumes that fill the spare rooms in his large terrace house. 
He also loaned me one once when I had to go to a costume party and I may even be putting it on again soon to attend the launch of his new joint exhibition, with his partner Craig Craig, at the TAP Gallery next week.
That may be another story. But back to the museum.


The exhibition traces the roots of Sydney Mardi Gras, which began as a march down Oxford Street for international gay solidarity in 1978. The museum includes the original request from a group in San Francisco who asked for Sydneysiders to show their support for equality. 


That first march involved more than 500 people and resulted in 53 people being arrested when the march was broken up by police. The museum photograph above shows the police response to the march at Taylor Square in 1978.


That same view today shows just how much things have changed in the past 35 years with the same street now lined with Mardi Gras banners and rainbow flags. And since then the parade has grown to become more of a celebration of our diverse sexuality.


One of the highlights of the museum are the original artworks and photographs, which illustrate how a simple drawing of a rosella . . .


. . . is the inspiration for a marvellous costume:


It's all these great artifacts, like the Dykes on Bikes badges below, that really personalise the museum and bring the exhibition to life. 


While this is only a temporary museum, hopefully next year Sydney Mardi Gras will be able to open the doors to a permanent exhibition and museum space that can attract people all year round.
TONIGHT the museum is hosting a talk by photographer and Mardi Gras chronicler William Yang, who will be discussing the 1980s.
The guest speaker series continues on Monday 18 February with a talk by photographer C. Moore Hardy and on Tuesday 19 February with a discussion by Ron Muncaster on the 90s. 
Tickets cost $35 plus booking fee and can be purchased from the Sydney Mardi Gras website.
The museum is open daily throughout the festival and is a must-see for all Sydneysiders. 


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Sydney Mardi Gras Museum
Corner of Oxford and Palmer streets
Darlinghurst NSW 2010

Saturday, October 27, 2012

Darlinghurst Blog: History: Books: Trams


A well-placed source of historical photographs last week sent me some great 1940s colour images of trams trundling down Darlinghurst and Sydney streets.  
They belong to a private collector and as far as I know have never before been published, so it's an honour to be able to reproduce them here.
I had a hard time placing where exactly the photograph above was taken and had to refer to a tram line map (below, Copyright John R Newland, 2010) to see exactly where the lines ran.


I believe the photograph at the top of this post shows the 'Special' turning off Oxford Street and into Greens Road, Paddington, on its way to Moore Park. In the background there is a smokestack, which I assumed belonged to the Royal Hospital for Women in Paddington (which still marks the horizon today), but it would be in completely the wrong position if that is Greens Road. If anyone can identify it, please let me know.


This one, above, was definitely taken at the corner of Greens Road and Oxford Street. As my source says, the "luminous" colour photographs "have a depth and intensity of colour that only film from that era seems to provide. Gems!".


Here's another one, above, showing the trams cruising down Oxford Street. Again, that smokestack is in the background.


The photograph above shows a tram turning from Elizabeth Street into Liverpool Street, on its way to Oxford Street. The trams really were beautiful with their lovely heritage green and cream, with red-trim, paint. They also, for some undefinable reason, remind me of great big caterpillars wriggling along the streets.


The photographs also brought to mind a book I received early last year: Bondi to the Opera House, the trams that linked Sydney, by Dale Budd and Randall Wilson.
The 92-page book was published by the Australian Railway Historical Society (NSW division) and is a comprehensive and educational look at Sydney's tram system, once one of the world's largest.
Budd and Wilson are certainly passionate about the Sydney trams, which scuttled along the streets from 1879 to 1961, and one of the things I love about the book is that they place contemporary photographs alongside historical ones, such as this one:


According to the caption information, Bennelong Point, now the site of the Sydney Opera House, was once home to a tram depot designed by government architect Walter Vernon. 
Trams terminating at the Fort Macquarie depot would arrive on the western side, while those beginning another trip would travel around the depot to its eastern side to make their first stop at the Man O' War Steps.
The ornamental tower you can see in the top left corner of the depot housed an elevated water tank - the  early 20th century version of fire safety.
Prior to the tram depot being built in 1901, the headland was home to the real Fort Macquarie: a square stone fortress with an armament of 24-pound guns and five 6-pounders. Boom.

A tram climbs through the Bronte cutting, now a car park (Copyright: From Bondi to the Opera House, by Budd and Wilson).

According to the authors, "the Sydney tram system extended from Narrabeen in the north, to La Perouse in the south; from Bondi in the east to Ryde in the west.
"From the 1920s to the 1940s there were up 1,500 trams operating on 290km of lines serving the city and more than 70 suburbs. Trams carried more than a million people every weekday."

Tram passengers line up at Market Street stop on Elizabeth Street, Central Sydney (Copyright: From Bondi to the Opera House, by Budd and Wilson).

There are more than 250 photographs in the book, featuring trams in a vast array of suburbs including Birchgrove and Balmain, Botany and West Kensington, Manly and Milsons Point. There are also a couple showing William Street and Kings Cross.
Most of the photographs were taken by John Alfred, who apparently "had a special talent for spotting unusual vantage points, often elevated," the book says.
"Starting in the 1950s he took more than 4,500 colour transparencies of Sydney trams: his total body of work amounted to more than 21,000 images, almost all of trams and trains throughout Australia."
Alfred died in 1969 - in a road accident - and his photographs are now in the collection of the Mitchell Library, part of the State Library of NSW. 
The authors owe him a great debt. 


One of the Kings Cross photographs in the book is identical to the one above, which I have framed on my wall. My father picked it up at a garage sale in the 70s. The only clue to its origin is the name of the framer printed on the back: Mr Frame of Wetherill Park. But I think it was a common travel pic of the 1940s as I have seen it before in many places.

 Pic copyright: From Bondi to the Opera House, by Budd and Wilson.

This photograph (above) showing the tram passing within a few metres of The Gap is one of my favourites in the book. I would have loved to have ridden that tram. The authors say the view would have been "stunning"

Pic copyright: From Bondi to the Opera House, by Budd and Wilson.

Back in the 1950s some major fool decided to start closing off the electric tram lines and replace them with diesel buses, the same vehicles that today emit such a foul stench and ear-grating noise throughout the city. Bravo.
The photograph above shows the last tram in George Street, Central Sydney, in November 1958. 
"It is after midnight, a wreath has been attached and everyone is trying to get into the newspaper photographer's picture," the caption says.
"This scene was repeated many times as the tram network was progressively closed down."

 Pic copyright: From Bondi to the Opera House, by Budd and Wilson.

The La Perouse and Maroubra routes were the last to be served by the trams, with the final day of operation on 25 February 1961.
"Travellers packed aboard the trams and crowds gathered at vantage points along the route," the book says.
The very last tram (pictured above) was "jammed to the rafters" and it would be "36 years before a tram again carried passengers in Sydney."

Pic copyright: From Bondi to the Opera House, by Budd and Wilson.

Some of the trams were donated to various institutions and museums, such as the Sydney Tramway Museum at Loftus, south of Sydney. Many other trams were burned to death, as illustrated in this very sad photograph above.
Trams, or light rail, returned to Sydney in 1997 and the authors hope that this network is expanded.
The City of Sydney is pushing the NSW Government to commit to an expanded network, including the addition of a line along George Street, which they would like to close off to north-south traffic.
Part of their vision is detailed on their website, which is worth visiting just to see, at the bottom of the page, a film that was shot in 1906 by someone on the top of a vehicle cruising down George Street
The animation at the top of the page showing what George Street would look like with trams today is also pretty cool.
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From Bondi to the Opera House, the trams that linked Sydney
By Dale Budd and Randall Wilson
Australian Railway Historical Society (NSW)
92pp, $39.95

Saturday, February 25, 2012

Darlinghurst Blog: Retailers: The Main Drag

It's debatable which street in Darlinghurst is the main drag. Some would say it is the eponymous Darlinghurst Road. 
Others might think Victoria Street, with its excess of cafes, deserves the name. 
But, it is too late, Oxford Street has already claimed the title and TODAY it celebrates the win with a special Sydney Mardi Gras 2012 Festival event, fittingly titled, The Main Drag.
And - as to be expected - burlesque performances, a pop-up yoga garden and knitted penises will feature.
The day is designed to promote the shops that line the world-famous Mardi Gras Parade route, and it is well-timed, as just yesterday three new arts and crafts shops officially opened for business on the strip.


The shops are so new that when I went by yesterday, the proprietress of the Oxford Street Design Store, at 58 Oxford Street (above), was only just opening its roller-door.


The Oxford Street Design Store is run by Alex de Bonis and Louise Helliwell, from non-profit artist collective, Tough Titties.


The idea behind the shop is that artists can supply T-shirts, tote bags, jewellery, zines, whatever - as long as the price-tag is less than $20.  


It's a cute idea and is bound to work, so long as local artists get on board to provide products to sell. 
And I must admit, it has sparked off my creative bug and I am now musing on what sort of stuff I could create that would retail for less than $20 but still earn me a pretty penny. 


These cute, hand-printed tea-towels (above) are a clever idea, and come in at just $18 each. 


He Made She Made, at 70 Oxford Street, is the next shop along the street, and features the work of four designers: Bent Patterson, Laura Kepreotis, Maaike Pullar and Patrick Chambers.


The quartet create mostly larger pieces for the home, such as this cool Tetris-inspired book-nook or display case (above), which I really adore, but can't afford (it's just over $1000).


I also love the lighting stand (above), which would look amazing in a big warehouse space, but not a teeny-weeny studio like mine.
Many of the pieces are created using the "upcycling" method, that is, taking some old junk that was dumped on the side of the road perhaps, and turning it into an exquisite piece of art-furniture.


Also sweet is this wall-piece (above), which reminds me of Jesus' crown of thorns. 
You must also go in to try out the amazing twin chairs they have on display in the centre of the shop, which I forgot to photograph. 
They really don't look like chairs and have strange wands shooting out the back that bend when you sit in them. 
They are so unique and imaginative, they are destined to be a collectors' item.


Further up the street is Platform 72, at 72 Oxford Street - natch. 
The shop is run by Samantha Mitchell-Finn and Juliet Rosser, who rent shelf space to local artists to display and sell their wares. The artists receive 100 per cent of the sale price. 


In one of the front windows at Platform 72, is this hot pink "Venis" chair (above), which has a big penis bursting out from the middle of the seat. 


And in the other window is a display of knitted penises styled into cactus-shapes and arranged in pots on a great 1950s plant-holder. 
Sitting inside, knitting on a chair, was the artist behind the penises, Kirsten Fredericks.


The space has loads of interesting products, including hand-printed tea-towels featuring font-heavy maps of Sydney and maps of Surry Hills main streets.


There's also jewellery hand-crafted from decapitated Ken dolls (above).


And high-end, hand-tooled leather handbags (above).


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Saturday 25 February 2012
Yoga at Oxford Square from 11am
Performances at Taylor Square from midday-4pm

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Oxford Street Design Store
58 Oxford Street
Darlinghurst NSW 2010 

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He Made She Made
70 Oxford Street
Darlinghurst NSW 2010
0478 504 232

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Platform 72 
72 Oxford Street
Darlinghurst NSW 2010

Tuesday, November 1, 2011

Darlinghurst Blog: Past and Present: Flanagan's Hotel and Burdekin Hotel

There has been a hotel on the junction of Liverpool and Oxford streets since the 1890s but it wasn't the same one that exists today. 
Flanagan's Hotel (above left), was built in the Victorian era and originally stood on the site but was demolished in the 1910s during the "remodelling" or widening of Oxford Street. 
The development of the new Flanagan's Hotel, which by the 1930s was known as the Burdekin Hotel, cost 10,000 Pounds. 


The old Flanagan's was just three levels, but the new Flanagan's was five levels, including cellar, and - according to a Sydney Morning Herald article from May 2, 1911 - would be built in a "classic design" of brick and stone with oriel windows on each side and a tower octagonally built on the corner. 
"The ground floor will be devoted exclusively to bars and parlours and the necessary private offices, and on the first floor there will be dining, drawing and reading rooms, with three bedrooms,'' the article said.
''The second floor will contain a large sitting room, bedroom and kitchen, and there will be suites of bedrooms on the upper floors.
''There will be a flat roof over the whole area and on it will be constructed two bedrooms, a laundry and out-offices.
"The bars and internal work generally are to be handsomely finished, with a free use of marble and polished fittings."


The city architect designed the building and the tender for work was won by Messrs JM and A Pringle, who would no doubt be very pleased to see the building still exists in good condition today.


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Links:

Thursday, July 21, 2011

Darlinghurst Blog: Bars: Darlie Laundromatic

One of the worst things about my blog is that I am a crap snapper. During the day my photographs are fine, but at night: forget it. That is the reason why I often don't write posts about my evening adventures. But then I sometimes wind up at some curious or original establishment and I feel that I just have to share, so I snap away and then return home to discover that all the pictures are mostly black with blobs of colour. And this is one of those occasions (so, please, excuse my terrible snaps).


I was with my dear friend Ruby Molteno on Tuesday night. It was a wet evening in Sydney, the rain was insistent, but I hadn't seen Ruby in so long, apart from a brief snack-attack at the Third Village. First she went overseas and then she went to the north coast and now that she had returned again, it was time for a catch up. So for such a special reunion, we cowered under umbrellas and walked to the local laundromat.


The Darlie Laundromatic bar opened three weeks ago in a disused laundrette at the top of Palmer Street, near Oxford Street. It's one big, long room, with a communal table running down the middle and a couple of smaller tables at the back. There are plans to open up the rear courtyard and also utilise some of the floors in the building above. 


The only signs of the bar's former incarnation are a long row of water pipes with taps running along one wall, a laundry menu (above) and a small length of washing line, hung with freshly laundered aprons and tea-towels. 


According to its website, the Darlie Laundromatic is open from 11am to 11pm, from Tuesday to Saturday, but when we arrived just on 10pm, we were told they had already shut the bar. We lingered a bit to check out the menu and were then told by a barman that we could order a drink, as there were still a few people finishing their beers. Ruby was keen on a coffee, but the espresso machine had already been cleaned, so we consulted the drinks menu under the guidance of the friendly barwoman (above). 


The drinks menu features home made organic cordial, which can be ordered as a non-alcoholic beverage ($4) or with vodka and soda ($7.50). There are also the usual beers and ciders at the usual bar prices, as well as a short, well-priced wine menu. 
The food menu features gluten-free, dairy-free, vegan and vegetarian options and includes a grilled, organic minute-steak sandwich or ''grilled mushroom-steak'' on sourdough with truss tomato, zesty rocket caramelised onion and harissa aioli ($14/$13); a ploughman's platter with Afghan flat bread, vintage cheddar, dill pickles, hot sopressa, chili jam and quinoa tabouli ($15); and a potato, fennel and dill salad with smoked salmon ($14).


We had to go with the organic cordial, considering it's not something you see on the menu everywhere. The cordials are made on-site and I had the pear and maple cordial with vodka and soda, while Ruby went for the raspberry and ginger flavour.


It was a nice change from the usual vodka and tonic, vodka and OJ types of drinks and was pretty good for $7.50. We grabbed a seat at the long communal table and listened to the particularly good music - played on a turntable or record-player - that included PJ Harvey's Send His Love to Me, which Ruby and I are awfully fond of. We are also both fond of flowers, so were happy to discover a wonderfully scented bunch of early cheer in a skull vase on the table.


It was about 10.30pm and we were finishing our drinks when the music started lowering in volume and the lights in the room brightened. We took the hint and left. I love all these new bars that are popping up everywhere, it's just a shame their licences don't allow them to remain open longer. 


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Darlie Laundromatic
304 Palmer Street
Darlinghurst NSW 2010
02 8095 0129