Showing posts with label Kate Leigh. Show all posts
Showing posts with label Kate Leigh. Show all posts

Monday, August 22, 2011

Darlinghurst Blog: Detritus: Underbelly Razor Premiere

For someone who watches television about once a month I was surprisingly excited about the new series of Underbelly, which is based on Larry Writer's excellent 2001 book, Razor. And while there were way too many advertisements, including a bizarre promo for Nine News's upcoming ''Razor Riches'' story on property prices in Darlinghurst (''It's criminal!''), I was captivated by the premiere episode last night. Screentime have done an excellent job in recreating 1920s and 30s Darlinghurst and judging by the number of hits this blog received last night (about four times the daily number in the space of two hours) by people googling Kate Leigh, Tilly Devine et al, the show has sparked new interest in this colourful time of Sydney's history. 


Last night's premiere, which began at 8.30pm, featured many of the typical Underbelly traits: narration by Caroline Craig, sex, nudity and violence, but perhaps because the characters were in period costume it didn't seem to be as offensive or gratuitous as in past series. If you haven't seen it yet and are reluctant to watch it based on the previous Underbellies, I would have to say that if you were to ignore the Craig narration it is essentially an historical television series - with dazzling sets and costumes - based on Writer's book.


Anna McGahan's naughty North Shore school-girl Nellie Cameron was a joy to watch and Chelsie Preston Crayford's comic portrayal of Tilly Devine was fun, but it was Danielle Cormack's Kate Leigh that I found the most convincing of the three female leads. That could also be because Leigh, or Queen Kate as she was dubbed in Underbelly, came across as the more serious and wiser of the trio. I also liked her king consort, Wally Tomlinson, played with a big heart by John Batchelor.


The male cast (above) too was excellent, especially because there were so many big, strong, rugged looking actors who looked great in period hats and suits.


Jeremy Lindsay Taylor as Norman Bruhn (above) was a master casting stroke as he looked so much like the real razor-ganger. Lindsay Taylor's performance was impeccable too; I couldn't fault it. It was so compelling he could have stolen the show from the three women leads, so for their sake, it's a good thing he will be killed off soon as the narrator foreshadowed last night. Although, it will be a damn shame for viewers if they kill him off too early. What a great face he had; I couldn't take my eyes off it. 


The show focuses on the intense rivalry between Devine and Leigh, but there are also the coppers who fought to control the crime that was flourishing on Darlinghurst's streets. Lucy Wigmore, who plays Australia's first policewoman, Lillian May Armfield, lends a strong moral presence and I look forward to seeing her character develop. Wigmore also had one of the best lines of the night when she encountered Nellie Cameron, still in her school uniform, during a raid at Devine's brothel. ''Is this some kind of costume?'' she asked, perplexed.


It wasn't just the actors and storyline that had me transfixed for two hours (a rare feat) but the sets, location, extras and costumes. It was a treat for the eyes. Nellie Cameron's 1920s Darlinghurst apartment was a dream and would probably rent for about $400 a week these days. Cameron also seems to have the best wardrobe of silk underwear, stockings, low-waisted flapper dresses, big, long necklaces and pretty cloches. There was a memorable scene of her dancing around her apartment in her big silk knickers, old fashioned bra and embroidered shawl.


The set-designers and script-writers have really captured the small details of the era. There are hand-painted wall signs, fruit-sellers's carts, rabbit-sellers, ice-men, dunny-men and plenty of dunny-lanes, which prove a perfect location for fight-scenes. Redfern's The Block (which is about to be demolished and developed) also worked brilliantly as a stand-in for Darlinghurst's Palmer Street, with its row of Victorian-era terraces. 
The Sydney Harbour Bridge, mid-build, is a nice touch, as is the Sydney skyline, which is shown as clumps of industrial chimneys pumping out smoke. When I met Larry Writer on Saturday he was telling me that back in the Razor days there were no garbage collectors so residents would simply build a little fire in their yards and burn all their waste. As a result Sydney was a haze of smoke, which also became the scent of the city. This knowledge proved quite valuable to the makers of Underbelly who were able to simply add some digital smoke in post-production to mask the sight of Sydney's tallest building, Centrepoint Tower, which was built long after the Razor-gang days.


I'd be really keen to know what you, occasional readers of my blog, thought of last night's show! And will you be tuning in next week?

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Underbelly: Razor
13 Episodes
Airs 8.30pm Sundays
Nine Network

Monday, August 8, 2011

Darlinghurst Blog: People: Larry Writer


Larry Writer (above) is a Woollahra-based journalist, author and publisher who is set to become a household name when the new Underbelly television series, based on his 2001 book, Razor, begins airing on the Nine Network on August 21.
Filming of the series only wrapped up a couple of weeks ago and as a treat for My Darling Darlinghurst readers, Writer took some time off set to answer some questions and to provide an insight into the creation of the new Underbelly: Razor, as well as to share his favourite Darlinghurst places and secrets. 
If you haven't already read Razor, you better chop-chop and pop off to the library or Ariel and grab yourself a copy because it is the authoritative book on 1920s and 30s Darlinghurst, a period which saw the birth of organised crime in Australia.

Scene from Underbelly:Razor

Writer's most recent book, Bumper: The Life and Legend of Frank 'Bumper' Farrell, published late last year, is also set in Darlinghurst and traces the career of a "rough as bags" cauliflower-eared policeman who patrolled the streets of Kings Cross, Darlinghurst, East Sydney, Woolloomooloo and Surry Hills from 1940 to 1976. 
Bumper Farrell appears in Razor too, which follows the lives of sly-grogger Kate Leigh, brothel madam Tilly Devine and the crooks, crims, cops and prostitutes around them, and brings the mean streets of historical Darlinghurst to life in meticulously researched detail. 
In 2002, Razor was the joint winner, with Mike Richards's The Hanged Man, of the Ned Kelly Award for Best True Crime. 
It would be fair to describe Razor as a seminal work and with the impending television series, it is likely to experience increased popularity. Victorian-based authors Andrew Rule and John Silvester watched their Underbelly series of true crime books hit the bestsellers list and surpass the 1.5million sales mark following the first television series about Melbourne's gangland wars. 
I look forward to seeing Razor and Writer enjoy the same successes. 
And now, over to Writer:

Tilly Devine (Chelsie Preston-Crayford) takes her dogs for a stroll.

''After the negotiations were completed for Screentime, makers of Underbelly, to use Razor as the basis for the new series, I was invited to come on board as a consultant. 
"I’d heard horror stories of film-makers turning books into train wrecks, but from the first, I was delighted to find that the producers, scriptwriters, researchers, actors and directors’s respect and affection for the people and places in Razor matched my own. 
"I read all the scripts as they were written and attended conferences, and there and on the phone I was asked all kinds of questions: What were the common expressions used in that era? What did the Tradesman’s Arms look like then? What is 'gingering'? What would a Darlinghurst street look like in 1928? Where did the gangsters access their cocaine? What brand beer, wine and spirits did Kate Leigh sell? What did Snowy Prendergast do before he became a gangster in Darlinghurst? What are the lyrics of Tilly Devine’s favourite song, 'The Marquis of Camberwell Green'? Whatever happened to the survivors of the razor gang wars?"


"The actors wanted to know their character’s back stories, how they spoke, what they wore, any other idiosyncrasies that could help them make their character real. 
"The production designers moved heaven and earth to find authentic period clothing, razors and guns, furniture, props and cars. 
"They also invited me to play a 'wealthy businessman' in a nightclub. I hope I don’t end up on the cutting room floor!"

Two razor-gangers are taken aback when north shore schoolgirl Nellie Cameron (Anna McGahan) proposes a career as a prostitute.

Violet: Are you happy with the finished product?

Writer: ''I’m delighted. It rocks! It’s very Underbelly in that it’s fast and racy and assaults the senses, but the acting, direction and design is wonderful, and it’s true to the spirit of my book, and more importantly to the people and the places of Darlinghurst in the 1920s and 30s.''


Kate (Danielle Cormack) or Tilly? – who is your favourite and why?

"I am very fond of them both, but I think Tilly is a little closer to my heart. 
"They are both brilliant mixes of good and bad, kindness and cruelty, greed and altruism, but I’m intrigued by the way Tilly fought her way up from abject poverty to be so successful, despite her husband Big Jim Devine, her treacherous gang, her own demons. 
"Somehow, and against much of the evidence, she seems more vulnerable. 
"I like too that she was always singing and knew how to party . . . even if those parties often ended in mayhem. I’m very glad that she was never my neighbour."


What would Kate and Tilly think about the television series?

"They’d be sitting on their lounge surrounded by their henchmen and women and loving every moment. Both had a keen sense of self-promotion. I reckon Tilly would be griping though that the actress who plays her, Chelsie Preston Crayford, is not nearly as beautiful as her."


How enjoyable was the writing process of Razor?

"I became obsessed with the people and the era during the three and a half years when I was researching and writing Razor. I enjoyed every moment, and it was such a pleasure. 
"I had a fulltime job so I’d be up at 3am before I went to my day job, and then again till late at night. Most of my weekend was occupied on the project. 
"I was in such a zone I didn’t realise I was working terribly long hours. When I finished I fell in a heap. My family was very glad to have me back from living in the 1920s."


You lived at Hensley Hall for a time. Have you lived at any other houses in the area?

"Hensley Hall was the only place I lived in Darlinghurst, though when I was in my teens and 20s I lived in many share terraces in Paddington and Kings Cross. Now I live in Woollahra with my family. 
"In 1958, when I was eight, I lived with my Aunt Dolly in Hensley Hall. I remember sword fighting my brother with copper sticks from the laundry, and him spitting toothpaste out of our first floor window onto a passerby who banged on the front door. 
"Often, before I set off to Darlinghurst Primary School or to the movies, my aunt told me if I saw them coming I should steer clear of Tilly Devine and Kate Leigh."


What is your favourite thing about Darlinghurst?

"I like the places that figured in Razor that are still there to see and experience: The Strand Hotel (above) where Frankie Green shot Barney Dalton and Wally Tomlinson; the Tradesman’s Arms pub (now the East Village), Charlotte Lane where Norman Bruhn was assassinated, Tilly’s former brothel and home at 191 Palmer St, the little lanes around Palmer St, (Chapel, Berwick, Woods, Palmer) which are beautiful and peaceful today but were once Tilly’s kingdom; even the empty space where 104 Riley Street used to be beguiles me – that’s where Kate Leigh lived and sold sly grog and shot Snowy Prendergast dead."


What's your favourite restaurant in the area?

"It’s just closed down but the Bayswater Brasserie was a great haunt in my younger, single days . .  . Arthur’s night club too. I enjoy the schnitzel at Una’s
"Billy Kwong’s (above) serves superb food but I don’t go often, because I don’t enjoy queuing for a table and then being hustled out the moment I’m finished so the people standing outside in the street in the cold with their noses pressed to the front window eyeing my table can be seated."


What's your favourite pub in the area?

"The Dolphin in Crown Street . . . Yes, I know I’m a dinosaur, but I like it not for what it is today, but for what it was, a wild and crazy Irish sports pub, where Bumper Farrell would go to drink Guinness and sing Irish ballads (very badly but enthusiastically)."


What's your favourite secret in the area?

"I have to say the Razor hangouts. How many times do we go past the East Village pub, or the Chard Building on William Street (above) without even thinking that the Tradesman’s Arms was the most notorious pub in town, and the Chard Building was once the site of the Fifty Fifty Club, Phil “The Jew” Jeff’s temple of cocaine, prostitution, illegal alcohol and gambling, where Tilly and Kate and Nellie Cameron and Guido Calletti and Frank Green and Big Jim Devine and the other gangsters mingled with Premiers, sports stars, business leaders and celebrities."


What's your favourite Darlinghurst building?

"The old Darlinghurst Police Station (above). With its ageless sandstone and pointy round roof it reminds me of a castle in a fairy tale, and in many ways it was. 
"This is where the baddies were locked up, where Bumper Farrell ruled, where those fabulous mug shots that have been published in Peter Doyle’s magnificent books City of Shadows and Crooks Like Us were taken, and where Lance Hoban, an old time cop who I interviewed for Razor, found a cache of Guido Calletti’s razors that had been confiscated when he was arrested."

Inspector William Mackay (Craig Hall) patrols the dangerous streets of Darlinghurst.

''Darlinghurst is my heartland in many ways, and I adore it. It retains the dangerous and gloriously seedy miasma of earlier times, and it continues to resist change and fads better than many Sydney suburbs.
''I hope it never becomes too cool, and I hope they never demolish Hensley Hall.
''Oh . . . and it’s lucky to have a chronicler like you, Violet.''


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Underbelly: Razor will premiere on the Nine Network on August 21.
Sign up to the My Darling Darlinghurst Facebook page and my Twitter account for updates.
All Underbelly: Razor photographs courtesy of, and copyright to, the Nine Network.

Wednesday, July 13, 2011

Darlinghurst Blog: Books: Razor, By Larry Writer

The mean streets of 1920s and 30s Darlinghurst are soon to have a national audience when a television series based on Larry Writer's 2001 book, Razor, airs on the Nine Network from July 30 mid-August.
I am looking forward to seeing this show, not just because it is set in Darlinghurst, but because I love period pieces and they don't seem to be made all that often as they are apparently quite expensive to produce. 
Screentime, the makers of the Underbelly series of programs, are producing Razor. Much of it has been filmed on sets but I also understand they have shot parts of it on location. 
Writer's non-fiction book on which it is based will also be re-released to coincide with the television series so I expect there is going to be - if not already - a renewed fascination with this rough period in Sydney's history. 
I first read Razor about five years ago and re-read it recently, this time copying down all the street addresses, so that I could walk through Darlinghurst and check out all the historic Razor-gang sites. 
The book is about the birth of organised crime in Australia and centres on sly-grogger Kate Leigh, who was born in Dubbo, in the NSW central west in 1881, and brothel madam Matilda ''Tilly'' Devine who was born in Camberwell, in south London in 1900.


Leigh (above), who will be played by New Zealand actress Danielle Cormack, began her life of crime at the age of eight stealing from her parents, the local shop and playing truant from school. At ten, she ran away from home and by her mid-teens was running riot on the streets of Glebe and Surry Hills. By her 20s she was prostituting herself to make money for herself and daughter, Eileen. 
In 1914, living with a bunch of crooks in the slums of Frog Hollow, near Albion Street in Surry Hills, she helped plan the Eveleigh Railway Workshops payroll robbery. The famous heist, worth more than 3000 Pounds went wrong however, and Leigh ended up being sentenced to seven years at Long Bay Gaol, in Sydney's south-east.
''Seven years for stickin' to a man,'' Leigh said.
''I'll swing before I stick to another.''
Upon her release in 1919, Leigh decided to make the most of amendments to the Liquor Act, which had been made three years earlier. 
In 1916, 5000 Lighthorsemen and other members of the Australian Infantry Forces, unhappy about their harsh conditions and long working hours, went on a drunken rampage at Liverpool, southwest of Sydney.
According to Writer, this ''unbridled, booze-fuelled violence'' gave the anti-liquor lobby more ammunition and following a referendum, under NSW Premier William Holman, 60 per cent of New South Welshman voted for pubs to change their closing hours from 11pm to 6pm. 
This legislation remained until 1955 and resulted in what became known as the six o'clock swill when drinkers would rush the bar and try to down as many drinks before 6pm as possible - which had its own bad consequences.
Anyway, with bars and pubs now closing at 6pm, Leigh saw a business opportunity and when she was released from jail, opened her first sly-grog shop. Soon after, she had enough money to buy a home for herself and Eileen at 104 Riley Street, Darlinghurst (East Sydney):


And she also rented six premises in Surry Hills (such as 25, 27 and 31 Kippax Street, now demolished) which she used as ''sly groggeries'', including this one at 212 Devonshire Street:


According to Writer: ''At the height of her career, Kate ran more than 20 sly-groggeries.
"Some of her sly-grog shops were upmarket and frequented by businessman; others, said police, 'catered to the worst class of thieves and prostitutes'. 
"On Friday and Saturday nights, crowds of men milled in the streets awaiting admittance to 'Mum's', as her establishments were known.
''From the early 1920s until the 40s, Kate Leigh, as Sydney's leading sly-grogger and with her income protected by her own combative nature and a team of bashers and gunmen, was one of the wealthiest, and most flamboyant, Sydney-siders.
"Another key to her success, she always said, was that unlike many of her less successful rival illicit alcohol sellers, she did not partake of her product.''


Like Leigh, Matilda Devine also decided that the ''straight and narrow life was a route for fools'' and as a teenager began prostituting herself on the streets of London. She was soon making 15-20 Pounds a week, when the average wage was about 2-3 Pounds.
At 17 she married Australian solider James Devine, and at the end of the war she followed him back to Australia, arriving in Sydney in 1920.
Devine, who will be played by another New Zealand actress Chelsie Preston-Crayford, moved from various digs in Paddington, Woolloomooloo and Darlinghurst, and wasted no time in getting on the streets and making money, with her husband acting as pimp.
''Between 1921 and 1925 she was arrested 79 times for her usual offences - whoring, obscene language, offensive behaviour and fighting,'' Writer writes.
''But by 1924-25, she was getting into more serious trouble . . . on a charge card dated 11 January 1925, Tilly is described as a 'married woman residing with her husband. She is a prostitute of the worst type and an associate of criminals and vagrants'.''
Devine served time at Long Bay Gaol for the beating of a commercial traveller and was also sentenced to a further two years for slashing a man with a razor.
Like Leigh, Writer writes, Devine used her time in jail to take stock of her life and when she was released, she set about building ''the biggest, best-organised, most lucrative, brothel network Sydney has ever seen.''
Her first brothel was in a ''slum cottage'' in Palmer Street,  Darlinghurst, where she ''fitted out its rooms with beds and faux-exotic decor and put a red light in the window''.

191 Palmer Street, which became Devine's Darlinghurst headquarters after she moved to Torrington Road, Maroubra, in Sydney's south.

Like Leigh, Devine also took advantage of the legislation, specifically the Police Offences (Amendment) Act of 1908, which made prostitution illegal for the first time, forcing street workers into brothels.
Devine provided the premises for the prostitutes and the women paid her a percentage of their earnings. She also charged freelancers 2 Pounds a shift to use her rooms.
Jim Devine sold cocaine to the prostitutes (users were known as snow-droppers) as it made ''economic sense to foster drug addiction in the workers: it ensured loyalty and meant prostitutes increasingly preferred payment in cocaine rather than cash.''


Cops such as Frank ''Bumper'' Farrell (above left) and William Mackay (above right) policed the streets of Darlinghurst in their unique way. Mackay cut a deal with Devine and Leigh that if they could run their businesses cleanly and without violence, and if they agreed to act as informants on others, they would not be targeted by the boys in blue. 
Farrell, who is the subject of Writer's most recent book, Bumper, published last year, was said to ''inspire a fear in crooks''. Devine would act like a good schoolgirl when he was around. Leigh was not so fond of Farrell and called him that ''Bloody Bumper''.
The cops had a lot to deal with in those days.
Sydney was no longer a small town but a ''sprawling metropolis with a decaying inner-city surrounded by middle class suburbia. In the two decades from 1910, Sydney's population doubled from 630,000 to 1.2 million.''
And the drug trade was ''out of hand''. In the 1920s there were about 5000 drug addicts in Kings Cross, Darlinghurst and Woolloomooloo.
People smoked marijuana and opium, injected heroin and morphine, drank paraldehyde and chorodyne, but cocaine was Sydney's drug of choice.
''Snow was snorted by the rich at parties, by businessman in swish 'snow parlours' where each table had a bowl of the drug in the centre, by vagrants in alleyways, by mobsters needing a belt of courage before pulling a job, and by prostitutes seeking fortification to get through a Darlinghurst night,'' Writer writes.


Not only did the cops have to deal with Devine and Leigh, drugs, sly groggeries and prostitution, Razor also has an ensemble cast of violent crooks, standover men and thugs, such as Frank ''the little gunman'' Green (above left), Phil Jeffs (above right) and Norman Bruhn:


Razor, the book, takes its name from the preferred use of weapon in those days. According to Writer: ''Sydney's criminals had always kept handguns and knives in their armoury, but after the Pistol Licensing Act of 1927 dealt an automatic prison term to anyone with an unlicensed firearm, may outlaws began carrying another weapon:  a cut-throat razor, honed sharp.''
Bruhn, a mate of Leslie ''Squizzy'' Taylor arrived in Sydney from Melbourne in 1926 and within months was the number one criminal in Darlinghurst and Kings Cross. Bruhn and his gang made the razor their trademark weapon. 
''A cut-throat, Bengal-style straight shaving blade could be bought for a few pence at a grocer's or chemist's,'' Writer writes of the proliferation of the weapon.
''Although they could do horrendous damage, a blade, unlike a gun, was not necessarily used for killing. 
"Many victims of razor attacks did die, but the razor was more often used as an instrument of intimidation and disfiguration.''
Bruhn, who lived with his wife, Irene, in a ''seamy little flat'' at 21 Francis Street (below) died after being shot twice in the stomach in June 1927.



Frank Green was the ''most lethal gunman in Sydney'' and employed by Devine to protect her brothels. Green lived at 21 Harmer Street, Woolloomooloo (below), with his wife and children, but also carried on affairs with countless prostitutes, including Nellie Cameron. He was known as a drunkard, a psychopath and cocaine addict and ''wouldn't hesitate to bash up a prostitute if she didn't hand him a cut of her immoral earnings.''
Green died in 1956 when he was stabbed in the heart by his then girlfriend, Beatrice Haggett, at their flat on Cooper Street, Surry Hills.


Phil 'The Jew' Jeffs was born in Latvia in 1896 and jumped ship in Sydney in 1912. He operated a fruit barrow in Darlinghurst before following his dream to be a ''rich crime boss, decked in fine clothes and loved by beautiful women.'' He set out by mugging drunks, selling drugs and working as a cockatoo at sly grog-shops. In 1929, his dodgy drug deals ignited the Battle of Blood Alley in Eaton Avenue, Kings Cross (now an enclosed courtyard off Bayswater Road). 
Jeffs had been cutting his cocaine with boracic acid and when one gang realised they were being ripped off, they challenged him to a fight. Everyone was injured, and Jeffs almost fatally, but he went on to fight another day, even after being shot in his own home in 1929.


In the 1920s, Jeffs worked as a bouncer at the Fifty-Fifty Club, ''a seedy dance hall and sly grog and cocaine palace'' in the Chard Building (above, built in 1924) on the corner of William and Forbes streets.
In 1932 Jeffs purchased the club at a discount price as the owner was tired of police raids. 
According to Writer: ''A visitor to the Fifty-Fifty Club in its riotous mid-30s heyday would enter the creaking cage elevator at ground level, and ride up past nondescript offices on floors one to three before alighting at the fourth floor . . . the doorman would open the door, and frisk guests for firearms and ensure that they had money.
''If approved, the visitor entered a cavernous room with carpet on the floor, slightly tatty lounge suites, decorative palms and flower-filled vases, and deep chairs festooned with colourful cushions . . . guests sat drinking heavily or snorting cocaine from small bowls.''
I walk by this building, now home to Royalty Prussia, countless times, but Writer really brings the history alive. Razor, the book, is worth buying just for this chapter, which includes incredible detail about what Devine, Leigh and their fellow crooks would get up to when they were On The Town.


Other characters in Razor seem more glamorous, such as that of Pretty Dulcie Markham (above left) and Nellie Cameron (above right). Yet both worked as prostitutes and were rough as guts. Markham apparently ''confounded anyone who equated beauty with purity'' while Cameron was ''the most sought after gangster's girl''.


Cameron had a flat at 253 Liverpool Street (above) where she would entertain her clients, one of whom was shot in the buttocks in November 1944. In the 1950s she lived in a flat on Denham Street (below) where she stuck her head in a gas oven and died at the age of 41.


In the end it was not the police who got Leigh and Devine, but the taxman. Leigh had once lived in a grand terrace on Lansdowne Street in Surry Hills (below), but by the 1950s she was bankrupt and forced to live in a ''squalid'' room at 212 Devonshire Street, from where she had once operated a sly-groggery. When the government ended the six o'clock swill in 1955, Leigh was out of business. She died on February 4, 1964 at St Vincent's Hospital, after suffering a stroke. 


For Devine, who had once owned properties throughout the inner-city and eastern suburbs, including a terrace at 145 Brougham Street, Woolloomooloo (below), the end was equally unglamorous. Devine quit crime in 1968 and struggled to make ends meet on the old age pension. She died at Concord Repatriation Hospital, in Sydney's west, on November 24, 1970.


Writer's extremely well-researched book really brings this period of Sydney's history alive. 
Since it was published in 2001, it has inspired a GPS-guided tour, a stage show, and now a television series. Judging by this website, there could also be a film in the works.
Devine has also been remembered, with a small bar in Crown Lane named after her.

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UPDATE: Interview with Razor author Larry Writer

Thursday, June 16, 2011

Darlinghurst Blog: Detritus: Mum's In

If all goes to plan tonight I will be slinking on down to a secret venue in Darlinghurst to meet Kate Leigh, Tilly Devine, Frank Green, Nellie Cameron and Guido Calletti. And I'll be wearing the most fabulous 1930s get-up that I can drag out of my wardrobe. 
The occasion is a very special production, Mum's In, dreamt up by actor Vashti Hughes, who is bravely going to attempt to bring to life the five main characters from Larry Writer's Razor. And judging by what I have seen on YouTube, it's going to be rather amazing.
To attend this curious show I had to reserve tickets online and then an email was sent to me revealing the secret location and the password to gain access. If I dress in 1930s fashion, the ticket is only $20. For boring types who don't get into the spirit of the occasion, it's $30. 
Once inside there will be sly grog for sale but you can only purchase a drink using gold coins, none of that paper stuff.
So I have been busy researching the era in fashion books to get some inspiration for what to wear:


And this is exactly what I am going to look like:


Well, apart from the dazzling white fox coat and striking good looks of gamine, Paulette Goddard. 
And here I am again attempting to eat a whole pineapple at my last cocktail party with my dear friend, Salmina, who will be coming along to Mum's In with me:


The show is only going for another two nights - Friday and Saturday - so quickly pop online and reserve a ticket before it is booked out. 



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Mum's In, Stories From Razorhurst
Written and Performed by Vashti Hughes
Music by Ross Johnston
Produced by Brand X Productions
Directed by James Winter